Treatment

            The idea of the film was first based on the actual story of my own kindergarten self somehow thinking that a dream I had about flying was the real deal, which in turn led to a slight accident on the swing set at school. The story has since evolved into a tale not about myself, but of a young Amelia Earhart taking the steps to achieving her goal of being able to fly someday, but going about it perhaps too early and in the wrong way. The story is completely fictional when pertaining to her, but is applicable to any child who has done something somewhat foolish and learned from it.

The first part of the film is Amelia’s flying dream, and I want the audience to be able to share in her enthusiasm. The colors will be saturated and warm, while some of the elements will be whimsical in design. The tree swing island, for example, will be surrounded by nothing but white fluffy clouds and will feature a spirally trunked tree with cloud-like leaf clumps. Amelia will consistently be dressed in her usual brown attire to keep her linked between the dream and the real world and also to help contrast herself from the brightly colored dream world. When she wakes up, she’ll be on an early 1900s Kansas farm setting, where everything has a dusty coloration to it that she fits into well.

            Amelia is obsessed with flying, and hopefully the audience will be able to gather this subtext. She has a dream about flying, which helps for one. But to drive the point further, she is constantly, even when sleeping, wearing a pilot’s cap that just manages to fit her oversized head. Her room will be decorated with posters and images of early model planes, much like her real-life version, Amelia Earhart, flew as an adult. There will be some slight references to her real life as well. The real Amelia Earhart slept in a leather pilot’s jacket to make it look more worn in, kind of like how this young animated version of Amelia refuses to remove her cap for sleep. The canary present in her dream is a reference to the first plane Amelia Earhart owned, a yellow Kinner Airster biplane that she nicknamed “The Canary.” Her crash landing at the end of the film is also a reference to her real-life counterpart’s mysterious end, how simply something just went wrong and things went awry.

            The film is to be done in 3D, primarily everything being done in the Maya program. The look I am hoping to achieve is as close to feature quality, such as done by Disney and Pixar in their 3D films, as can be done. Amelia, the Canary and their settings will be stylized to an extent while having a softer texturing applied. There will be no dialogue, save the Canary’s chirpings, and the animation will have to be driven on subtle expressions and movements from Amelia.  Overall, this should be an enjoyable and happy film with a slight twist at the end that shows that some dreams should just wait till later.